Quentin Tarentino's screenplay for his celebrated
masterpiece Inglourious Basterds was published for all to read in August
2009. The movie, starring Brad Pitt, is now in its first run at theaters
across America.
If you've never read a screenplay complete with
director's comments Tarentino's script will not only entertain but
enthrall you. As I read through the 164 pages, it was easy to imagine
how the story would play on the big screen.
Shosanna Dreyfus, a Jewish teenager sees the murder of
her family at the hands of the evil Nazi Colonel Landa known as the Jew
Hunter. Shosanna survives and escapes to Paris with a burning desire for
vengeance that consumes the rest of her life. Once in Nazi occupied
Paris she forges a new identity as the owner and operator of a movie
theater.
The scene changes. A group of Jewish-American soldiers
led by Lieutenant Aldo Raine, a hillbilly from the Tennessee mountains
also arrives in Paris. These men have a special mission of not only to
kill at least one hundred Nazis each but to scalp them. They are known
and feared as "The Basterds." In Paris they will be working with double
agent Bridget Von Hammersmark, a famous German actress. They plot a
devious plan known only to themselves.
Shosanna and her lover and assistant Marcel are unaware
of the Basterd's plan and forge one of their own to bring about the end
of every leader of the Third Reich and to do it in Shosanna's theater.
Goebbels will be showing his latest propaganda film in
Shosanna's theater and has invited Hitler, Goring and Bormann as well as
an audience of hand-picked German officers to attend. Suspense builds as
the date of the filming approaches and all the actors finalize their
surprise plots.
The climax of the story has a twist you can't see
coming. Tension builds to a frenzy helped along by Tarantino's trademark
high-intensity dialogue and inventive plotting.
As bombs burst in air and with fire raining down, the
scene fades to Lt. Aldo's final official or should we say, unofficial
deed. It's a master stroke. You might think Tarantino's rewriting
history and you would be right.
Author David L. Robbins in his introduction to this
screenplay writes, "...Tarantino's tastes and talents are on display as
brightly as if they too were cast onto a big silver screen... He's in
full control of all his material here; the bits from both the past and
present. This is Tarantino, headed in a new direction. He evokes an
actual world at war. It is plausible and terrific."
See the movie, but by all means read this screenplay.
Only by doing both will you experience the full impact of Tarantino's
theater of the mind.
Patricia Ann Jones is a published writer and
has recently retired from her position of 18 years as a reviewer for the Tulsa
World newspaper. To comment on this review you may email
pattij777@aol.com.
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