Now and then the story frightened us, but that was okay, because we were in
a safe haven physically. Only our minds had wandered away, lured by heroism,
mystical visions, or even romance reaching far beyond our understanding.
Do we ever outgrow our love of good stories? I think not.
Novelists know we don't. Movie producers-not all, but the best ones-are
aware they have to include more than action and scenery to captivate and
hold audiences. An intriguing plot is a must for maintaining attention.
Superlative speakers tell spellbinding stories. Through
stories, they awaken curiosity, paint dramatic scenes, and even cause us to
laugh aloud-or fight back tears.
So whenever you get an opportunity to speak to an audience,
keep our affection for stories in mind. True, audiences can endure
statistics, quotations, and a litany of complicated material. . .but not
indefinitely. Break up those arid passages with a spellbinding story.
Listeners will stay with you, wanting to know the outcome.
A few years ago, a speaker at my civic club portrayed the military careers
of five World War II fighter pilots. He recounted their missions. By
offering biographical sketches, he made them sound like our next door
neighbors. He described how some of the pilots became lifelong friends, and
still enjoy reunions.
I still remember that he got by with inadequate visual aids
(too small for all the audience to see) because his stories were so vivid.
We became absorbed in the scenes he painted verbally.
You don't hear the phrase much now, but we used to refer to
master storytellers as "raconteurs." Though the name has faded, the skill
remains valuable. Probably you're aware of some speakers who specialize in
storytelling, referring to themselves as storytellers and not as speakers. I
vote for abolishing the distinction. To achieve widespread success in
speaking, you'll have to include forceful stories.
You can even relate stories in a stodgy business setting.
Business and industry people love compelling stories. How else could we
explain the popularity of "roasts," when even fictional stories enliven the
evening? Usually, the true ones amuse us, too, and deepen our appreciation
for the individual we are honoring.
My professional speaker colleagues will agree with me on the
following guidelines for including stories in your speeches:
Stories must be credible. We can stretch an audience's
imagination, yet we cannot stretch the truth.
Stories must be ethically acceptable. We cannot ridicule
ethnic groups, nationalities, the elderly, or individuals with physical
limitations.
Stories must be fresh. Nothing turns an audience off more
quickly than a story that has made the rounds too many times. Avoid telling
a story you read on the Internet, no matter how good it is, because chances
are good your listeners have spotted that story a few weeks ago.
Stories are relevant. They are not told for their own sake,
but to reinforce your theme or a specific point. Always show the connection
clearly.
Is it all right to share your personal stories with
audiences? Certainly-for stories about your life experiences create quick
rapport. Keep them in balance, with stories about others taking front and
center stage. Also, beware of making yourself too much of a hero in your
story. It's fine to tell what you learned from a challenging event or
illness, but refrain from boasting.
Now, think about the three most interesting and convincing
speakers you have ever heard. They may not share the same style of delivery,
level of education, skill with humor, or energy level. My guess, though, is
that you selected three speakers who tell stories well.
No, you're not likely to begin with "Once Upon a Time." Yet
"An interesting thing happened to me last week" will bring on the same magic
we felt as very young listeners.